Peter Pula > Archive
To reclaim our capacity to create the world we want to inhabit, we must prefigure that world in the way we gather and work together.
While deep dialogue, once experienced feels perfectly natural to us, it is not something we have built into the structure of our lives. It seems an anomaly, not the practice. Some structure for freedom, for belonging, containers, and practices make the difference. Martial artists, athletes, musicians, learn basic forms first. Basic forms teach us what gave birth to them. Practice in those forms builds muscle memory, cultivates understanding, and reveals insight.
What’s the point? Why is it important to deepen democracy? What does it mean to deepen democracy?
What deepening democracy does not mean is tinkering with electoral politics. Turn away from this in your thoughts before continuing. Put it behind you. Never mind left and right, liberal and conservative, democrat and republican. Forget for now the stories liberal humanism and global capitalism proffer. Press all that noise and distraction, the sturm and drang, the circus and its players, the side shows and arcades beyond the horizon of your periphery.
All this is escape, abstraction, excuse. Frenetic, restless, immovable. Exhausting. Diminishing. Disempowering. Far Away. Untouchable. Unreachable. Let’s stop wasting our wild and precious lives there.
Beyond all that is a field. Let’s meet there. Take a deep breath.
The time to move well beyond representative democracy as the way we ‘do democracy’ is well upon us. Representative democracy has been found wanting. It has become the bastion of professional politicians, and the limits of its usefulness to the every day citizen are increasingly apparent. A strong argument can be made that worse than not being particularly useful, it has ensconced us in a system in which the political and state apparatus, in its habitual pattern, actually interferes with citizenry in a detrimental way. That does not mean that it must be abandoned, but it must be transcended. We must do better. And that means proliferating democracy into spaces where we as citizens can experience both agency and efficacy.
We are in a global storm of shifting sands. Big, having the uses it does, has reached the limits of its usefulness. Doing more and more of Big isn’t going to get us any more significant results than it already has.
During the last eight months, a small group of Appreciative Inquiry practitioners has been exploring Generative Journalism.
So much mystery and romance are conjured by the word piano. The piano is a powerfully evocative musical instrument. A piano is capable of sounding as many notes, and by some mysterious art even more, as a pianist has fingers and in endless combination. The harpsichord, the piano’s predecessor, could do all that too.
Over the past two weeks, the journalistic stance of media here in Canada, and I suspect other countries, has been changing in a manner worth appreciating.
If one wanted to create a democratic and engaged newsroom the place to start is with what interests each journalist specifically. Find out what about their community is most important to them personally, what they care the most about.
After 15 years of producing stories that contributed to change after change for the better, people still come to us with the concern that all we do in Generative Journalism is publish positive stories at the expense of facing reality.
The stories we tell shape our culture. Journalism as a civic art, to be of real assistance to democracy, has a few things to overcome.
I have come to see capitalism as the ideology or worship of capital, of money. Absentee investment is the root of so much in the way of dissociation. Money for money’s sake, and not for what it can do. Instead, we should look at intimate and engaged investment, that puts the power of money to good use.
One of the challenges we face in realizing a reimagined democracy is the force of narrative. The dominant narrative, the one purveyed by mainstream media, corporate communications, and political campaigns, is for the most part an institutional narrative. It isn’t really for or by the grassroots at all.